The Slap Post 3

This week, ratings of The Slap went down after a disappointing premiere and luke-warm reviews. Instead of writing about that (since I’m sure I’ll be doing that in the coming weeks), I want to discuss what the show has working for it. First of all, the cast is phenomenal. With names like Peter Sarsgaard, Zachary Quinto, Uma Thurman and Thandie Newton, the cast seems like they should be part of an underrated independent film, not a miniseries on NBC. Besides that, it has some great names behind the camera. Lisa Cholodenko, the Oscar nominated director/writer of The Kids Are All Right, directed 7 of the 8 episodes. The series was created by Jon Robin Baitz, who worked for the successful Brothers & Sisters for ABC, and Walter F. Parkes, a three-time Oscar nominee.

When I look at these names, people who have in the past done truly amazing work, I get excited about The Slap. They all seem like names that would be better suited for cable television, but they have found a (somewhat hostile) home on network television. Though it doesn’t seem hopeful that many more viewers will find this show in the next six weeks, The Slap is a show that works on paper.

Secrets and Lies – Post 2

The countdown to the premier of “Secrets and Lies” is just over a week away. As the date nears the publicity the show has received has increased. In many ways the show appears to be an experiment. The story is told almost entirely from the perspective of Ben Crawford, who is accused or murder. Some critics suggest that the character is in almost every seen. While shows in the passed have centered around one character (consider the likes of “Everybody Loves Raymond” and the “George Lopez” show), this murder mystery will be a new challenge. Murder mysteries often encompass multiple people and many details. I am interested to see how the show develops its plot and tries to fill in blanks before viewers become too confused to watch.

Empire

Ever since Empire premiered, it has experienced one shockingly long string of good news. The first episode was viewed by 9.9 million people, and since then the numbers have only gone up. The seventh and most recent episode was seen by 11.96 million viewers and achieved a 4.8 rating in the 18-49 demographic. The show was renewed for a second season after only a couple episodes. The show’s success is even more surprising considering its content. Empire is a soap opera-style program featuring a predominantly black cast, not exactly standard fare for television. Some of the show’s success could be attributable to the reputation of lead actor Terrance Howard and creator Lee Daniels, the latter of whom recently directed the critically acclaimed and commercially successful film The Butler.

And much like The Butler, Empire, in addition to being a commercial success, is also a favorite among critics, having garnered positive reviews on both Rotten Tomatoes and Metacritic. All-in-all, the future looks bright for Empire. It will be interesting to see how long this upward trend in ratings and viewership can continue before it begins to taper off.

 

The seventh episode of Empire continued the television show’s upward trend in viewership and ratings, pulling down 13.02 million viewers and a 5.2 rating in the 18-49 demographic, which places it first in its time slot by a significant margin. At this rate, I would not be surprised if Fox renews Empire for a third season before the first one ends. With the massive success that the shows has been–with the caveat that only eight episodes have aired, and we only have viewership data for seven of them–it will be interesting to see if the unorthodox premise of the show inspires derivatives and copycats in the coming years.

Both of the last two weeks, Empire has increased its viewership. I can’t imagine the television world will see anything like this for a long time after. It’s frankly rather mind boggling.

But the real news is that the Empire season one finale aired last night. The numbers aren’t in yet, but I would be shocked if there is anything less than a significant increase in viewership. In addition to the upward trend that has been seen in all of the previous weeks, they seem to have stepped up their advertising a bit for this final two-part episode. The past few days have seen a dramatic increase in advertisement on Youtube and other platforms.

One other thing to note is that the Empire soundtrack featuring all the original hip hop songs from the show was just released on March 10 and debuted at number one on the Billboard Top 200 with 130,000 albums sold. This is the first time a television soundtrack has debuted at number one since Glee in 2010.

The numbers for the finale of Empire are in, and as most people probably expected, there was a significant increase in viewership. Even within the two-part finale, the second half received far more viewers that the first. The first half received a 6.1 rating with 15.82 million viewers, while the second half received a 6.9 rating with 17.62 million viewers. Needless to say, these figures crushed all other contenders in the time slot competition.

In other news, Fox Broadcasting is preemptively launching a lawsuit against the real-life Empire Distribution Inc., a California based record label, over trademark rights to the title “Empire.” The lawsuit was filed in anticipation of a lawsuit by Empire Distribution. Fox’s argument appears to primarily be based upon the fact that Empire Distribution is a small and insignificant operation, coupled with the fact that the name “Empire” has been used by numerous other films, television shows, and companies with no infringement problems. Considering the lethargic pace of the civil court system in the United States, it is unlikely that the case will be settled any time soon.

Previously, I mentioned the absurdly high ratings for the Empire two-part finale, but it is also important to note that the final episodes achieved excellence in other areas as well. In the social media world, the finale broke a Twitter record by being the “most-tweeted about telecast since Nielsen started measuring,” with 2.3 million tweets viewed 112 million times by roughly 5.9 million people. This immense flood of tweets was beneficial to the actors’ personal Twitter accounts. The twitter account of one of the stars of the show, Jussie Smollett, saw an increase in followers from 54,000 to 204,000 on the day of the finale alone. Of course, any increase in the popularity of the personal twitter accounts of the stars of the show will naturally feed back into the amount of social media buzz that the show can generate, as the actors have been active on social media, and particularly Twitter, often live-tweeting the episodes as they air.

In addition, the finale two episodes were well received by critics. An article in Entertainment Weekly said that it “felt like the best episode of Trapped in the Closet in years,” while The New York Times called the entire first season, finale included, “pretty perfect.”

That being said, critical laudation in general appears to have become more mild as the show as progressed through the first season. While I have had trouble finding the exact numbers, if my memory serves me correctly, after the first few episodes Empire had a Rotten Tomatoes score in the mid-eighties, and a meteoritic score in the mid-seventies. Now, with the first season completed, these numbers stand at 79% and 69, respectively—still high enough to give this commercially popular drama a solid reputation of genuine artistry.

I mentioned earlier that Empire has been renewed for a season season—in fact, that it was renewed for a season season after only three or four episodes, a rare feat in and of itself. There is no new change to report here—a second season is still in the works. I only bring this up because a rumor was spreading around the internet recently claiming that the second season of Empire had been canceled. However, this was quickly traced to a fake news website (sort of a non-humorous version of The Onion) that in the past has also created fake buzz when it claimed Krispy Kreme was giving away free donuts and Martin Lawrence had died. Of course, it should come as no surprise that a second season of Empire is still in the works; with the constantly upward trending numbers it sported throughout the entire run of its first season, it is difficult to imagine any reason the network would forgo the immense opportunities afforded by a second season.

Welcome to “Battle Creek”

On Sunday, March 1st CBS will launch Battle Creek the 10pm EST time slot as a mid-season replacement for CBS rating stalwart CSI. The show boasts an impressive stable of talent, starring Josh Duhamel (Transformers) as the flashy new FBI agent playing foil to the incumbent police detective played by Dean Winters (30 Rock) in Battle Creek, Michigan. The ensemble is rounded out by Kal Penn (Harold and Kumar) and Oscar nominee Janet McTeer.

After laying dormant for over a decade, Vince Gilligan’s “Battle Creek is finally getting its shot with CBS.

The creative pedigree of the show is even more star-studded than the cast, with Breaking Bad and Better Call Saul creator, Vince Gilligan, and House creator, David Shore giving the hour-long black comedy at least a fighting chance to gain traction in a time slot with limited competition outside of ABC’s Revenge. Sony will produce.

 

Source: http://www.latimes.com/entertainment/tv/la-et-st-ca-tv-preview-battle-creek-20150104-story.html

Last Man On Earth: 12 Days Until Premiere

What would happen to an average person if a whole society just disappeared? Fox released their first look at Last Man On Earth:

With just 12 days till the premiere Fox’s social media team is really promoting the show on Facebook generating over 40K “likes”. But not doing so hot on Twitter accumulating just over 1,200 followers. I see that the @LastManFOX account re-tweeted many powerhouse comedians like Seth Rogen, Jake Johnson and Kristen Schaal’s words of excitement over Forte’s new show.

News broke last week that Boris Kodjoe from Love & Basketball will join the cast for a mystery role.

Here’s a fun Fifty Shades of Grey spoof to get you curious:

TLMOE_50Shades_MrMiller_Poster_FINAL_0212184

Program Development and Programming

 

A general rule in the entertainment business is that each broadcast network’s schedule is dominated by situation comedies and dramatic series. However, as time goes on, more and more other types of programming are becoming popular such as reality television. Television genres include a broad range of programming types that entertain, inform, and educate viewers. The main types of programming are dramas, comedies, reality shows, news, variety, and children shows.

Program Genres

Drama

Most networks focus on a limited number of program types, playing with elements and not creating a new form. However, smaller networks, like HBO, take chances and try to create new form.

NBC's "Smash" Trailer

On February 6th, 2012, the heavily promoted Smash premiered on NBC. Smash is an original musical drama. It premiered the night after Super Bowl XLVI. NBC sampled Smash to the public through various sources. According to Playbill.com , it was offered to digital download platforms including Apple iTunes, Amazon Video on Demand, Xbox/Zune, Playstation, Samsung MediaHub and Vudu beginning January 16 through February 6. From January 16 through February 6, Video on Demand partners, including parent company Comcast, offered the pilot via Set-Top-Box On Demand. In addition, January 23 through February 6, online streaming via NBC.com and Hulu.

On the Set of "Scandal"


On April 5th, 2012, ABC premiered Scandal, a series created by Shonda Rhimes. Each network produces several, diverse pilots episodes every season in hopes of them succeeding and filling a time slot.

 

Comedy

Network comedies often attract broad audiences, who are usually younger and less educated. In general, comedies are developed because they replace series that are declining in popularity. In fact, broadcast networks commit to more comedy pilots than drama pilots. Most comedies are produced in a soundstage or a studio in front of a live audience like Friends, which was the most expensive prime-time series of all time (Blumenthal, Goodenough, 214). [1]

ABC released a new comedy sitcom called Don’t Trust the B—- in Apartment 23 on April 11th as a mid-season replacement. The first two episodes were made available on iTunesHuluABC.com and on Xfinity in the United States before the premiere on April 11, 2012. [2]

 

 

"Rob" Cast Members on CBS

 

Rob, a comedy produced by The Tannenbaum Company and CBS Television Studios, also was a midseason replacement. It premiered on CBS on January 12th, 2012. Although receiving some negative feedback from critics, Rob proved to have great viewership and ratings. Rob is currently on the bubble for renewal.

Reality Television

There are four main rules that the majority of reality series follow:

  1. Don’t generally involve actors
  2. May be planned, but not written in same sense as a comedy or drama
  3. Produced on location
  4. Special gimmick: something that makes the whole idea of show worth watching [1]

When comparing shows like The Real Housewives on Bravo and The Jersey Shore on MTV, reality television seems very different from drama or comedies. However, they are in fact well planned. For instance, sometimes host reads words written by producers. Also, reality series selects a cast with the same care associated with drama or comedies (Blumenthal, Goodenough, 215-216). [1]

It’s a Brad, Brad World debuted on January 2nd, 2012 on Bravo and featured Brad Goreski fromthe other Bravo hit, The Rachel Zoe Project. Reality series are so popular these days that sometimes cast members get their very own spinoff series. These shows try to target a similar audience and hope they can survive on their own.
Even Betty White hosts her own reality show on NBC called Off Their Rockers. She proves that reality television doesn’t have to only appeal to a young audience and uses senior stereotypes to basically “Punk” strangers. [3]

 News

Years ago, it was unheard of to have news running for 24-hours. Now there are cable and broadcast networks completely devoted to the news. CNN still remains the world’s largest news organization, with over 4,000 employees worldwide. ABC, CBS, NBC, and FOX all operate news divisions (Blumenthal, Goodenough, 220). [1]

"Good Morning America"

Broadcast Network news continues to fight weekly for the best ratings. Good Morning America on ABC tends to compete with Today on NBC. People are usually quite loyal to what they watch, so having a strong “front four” is necessary for more eyeballs; this includes two co-anchors, a weather reporter, and a sportscaster.

According to Nielsen ratings, Good Morning America beat Today the week of April 9, 2012, for the first time in more than 16 years (since December 4, 1995) . Good Morning America drew 5.147 million total viewers to rank number one for the week, surpassing Today, which only had 5.134 million viewers. It just so happened that Matt Lauer was off all week, which could be a reason why Today lost viewership. [4]

Sports Programming

Sports Programming Graph

[5]

The main buyers of sports programming in the United States are  FOX, NBC, CBS, ABC, and Turner Broadcasting. Back in the late 80s, ABC paid an average of $147 million per year for Monday Night Football games. [1] ESPN, a sister company of ABC, presently holds coverage of Monday Night Football.

The NFL and ESPN made a deal to keep Monday night games on ESPN through the 2021 season. The new contract will pay the NFL $1.8 billion a year, a 63 percent increase from the current deal. With 17 Monday night games a year, that works out to more than $105 million a game. Starting in 2014 ESPN will pay $1.9 billion a year just for Monday Night Football games. That’s around $110 million per Monday Night Football game on cable. [6] [7]

NBC/Turner had a deal for NASCAR that was worth $1.2 billion over six years and ended in 2006. FOX Sports now holds the rights to NASCAR and proudly presents the 54th running of the Daytona 500 in 2012. [8]

"Happy Grad" Chevrolet Super Bowl Commercial

The NFL is television’s most valuable sports programming because it gets the highest ratings and most viewers (Blumenthal, Goodenough, 234-236). Football has been an American favorite pastime for decades. A super bowl ad in 2005 cost was over $2.4 million per spot. Now, Super bowl ads cost as much more. NBC charged an average of $3.5 million for each 30-second spot for this year’s Super bowl that took place on Sunday, February 5, 2012. [9]

Like many of the Super Bowl ads, most of the advertising in sports is geared to gain the attention of the male eye. Anheuser-Busch and Pepsico lead the pack of most money spent on advertising followed by General Motors, Time Warner and Walt Disney. [10]

Talk Shows/Variety

There are many diverse genres within talk shows, but most feature celebrity guests who talk about their personal lives and/or promote a project. One type of talk show combines comedy, variety, and celebrity talk like The Ellen DeGeneres Show  (Blumenthal, Goodenough, 241).

Bethenny Frankel

According to the Hollywood Reporter, it was announced on April 25, 2012 that reality star Bethenny Frankel will get a test run on her very own talk show starting June 11 on six Fox-owned TV stations. The show is called Bethenny and is executively produced by Ellen DeGeneres. Fox is a great place to launch a talk show like this because they have run a number of similar talk shows in the past with stars like Wendy Williams and Fran Drescher. [11]

 

Video of Kate McKinnon "SNL" Skit

 

Saturday Night Live, America’s longest-running weekly variety show, still in 2012 is breaking new grounds. In March, 2012, SNL announced they hired their first openly gay female cast member. Comedienne Kate McKinnon made her debut on the variety show, hosted by Modern Family co-star Sofia Vergara, on April 7, 2012. [12]

Children’s Programming/Animation

The two dominant cable networks in children’s programming are Nickelodeon and Cartoon Network. The later is a force to be reckoned with in 2012 with its release of original programming.

The Legends of Korra

Nickelodeon is among the most active networks in original program development. On Saturday, April 14, 2012, the highly anticipated animated series The Legends of Korra scored a strong 4.5 million total viewers according to TvbytheNumbers.com. This made it rank as the basic cable’s number-one kids’ show and top animated program for the week with total viewers. [13]

 

Cartoon Network launched DC Nation in March, 2012. It is a programming that showcases the heroes of the DC Comics library. A humorous tone runs through the shorts, including S.B.F.F. (short for Super Best Friends Forever), which stars Supergirl, Wonder Girl and Batgirl who focus on “how much fun it is to be a superhero,” says producer Lauren Faust. [14]

Sources

1. http://books.google.com/books?id=KObtAAAAMAAJ&source=gbs_book_other_versions

Blumenthal, Howard J., and Oliver R. Goodenough. This Business of Television.       New York: BillBoard, 2006. Print.

2. http://en.wikipedia.org/wiki/Don’t_Trust_the_B—-_in_Apartment_23

3. http://www.studlife.com/cadenza/tv-cadenza/2012/04/09/review-betty-whites-off-their-rockers-off-its-mark/

4. http://www.mediabistro.com/tvnewser/category/morning-show-ratings

5. http://pptlook.com/ppt/Monday+Night+Football

6. http://profootballtalk.nbcsports.com/2011/09/08/espn-extends-monday-night-football-deal-through-2021/

7. http://outkickthecoverage.com/how-much-is-a-four-team-playoff-worth.php

8. http://www.jayski.com/pages/media.htm

9. http://www.newsday.com/entertainment/pet-rock-1.811972/how-much-does-a-super-bowl-commercial-really-cost-1.3481154

10. http://www.marketingvox.com/super-bowl-ad-spend-totaled-184b-over-20-years-rates-quadrupled-036080/

11. http://www.hollywoodreporter.com/news/bethenny-frankel-talk-show-premiere-date-316600

12. http://theweek.com/article/index/226280/kate-mckinnon-who-is-snls-first-openly-lesbian-cast-member

13. http://tvbythenumbers.zap2it.com/2012/04/17/debut-of-nickelodeons-the-legend-of-korra-draws-4-5-million-viewers/129568/

14. http://www.tvguide.com/News/DC-Nation-Brings-1044342.aspx


Regulation of Distribution

by Carli Blau

This new broadband era that we have now entered is creating a bit of a struggle for the government as it is trying to keep up. While the Internet is currently a neutral space and lacking in regulation, companies are beginning to realize that there may need to be some regulation. The government is also looking to regulate the net. This is called Net Neutrality. It is going to be a very interesting topic in the months to come because large cable companies are pushing for the net to be split, while the FCC and other small internet service providers want to keep the net neutral.  With the Internet being such a big part of distribution of TV, it will eventually have to be regulated somehow, the question to think about is how we are going to do it?

The Senate’s Commerce Committee recently held a hearing to discuss the future of TV and where it thinks it is going. According to the Senate’s Commerce Committee, TV is going to be found in deregulation. “The proposed act deals primarily with deregulating the broadcast industry to eliminate some required coverage mandates and to allow broadcasters to negotiate retransmission rates with pay TV providers just like cable programmers such as ESPN or AMC do.”

The biggest issue of this hearing was the relationship between TV and broadband and how intertwined the relationship is at this point in time. With consumers able to get whatever they want through selection of broadband products, distribution companies, etc., they are not going to settle for paying more than they have to. Therefore, the fight is now going to be all about who has the most power in regards to customers, the broadcast industry or online companies that are planning to distribute television programming all over the internet. [Gigaom]

The scary thing that is going on right here, right now is that TV used to be the biggest storyteller, and while it still may be, it is the Internet that has become the biggest platform for all services. Rather than television being the go-to place for information, the internet is now the place for everything, including TV which has now become just another part of it all. This is going to give the upper hand to online TV distributors, but will definitely challenge and test the relationship between TV distributors and their customers, along with the relationship between customers and the actual TV screen.

TMO News

Executives from News Corporation, NBCUniversal, the Walt Disney Company and the National Association of Broadcasters met with some officials from the FCC because they are not too fond of the proposed public interest rules that would make the amount of money that political candidates are paying for TV advertising. Currently there are rules in questions that would mandate that these big TV networks share their details about politial programming, including how much the candidates are paying to run advertising. The networks are collectively saying that, “[C]ompetitors in the market and commercial advertisers may anonymously glean highly sensitive pricing data, which, by law, will represent the lowest rates charged by the station to its most favored commercial advertisers,” adding that they were “[O]pen to discussing other options for keeping sensitive rate information out of the online public file.” [TVNewser]

Another interesting point here is that other distributors aside from television are not mandated to disclose their political information, yet these networks may have to. Despite what the networks had to say however, the FCC mandated the posting of political files online. If everything is moving online, it is only fair that political files be put online for the pubic to see and have access too. This is where the relationship between broadcast and television is becoming so intertwined that it is causing more problems than good for regulators, since they are not quite sure how to handle the relationship just yet.[TVNewsCheck]

[scribd id=81069955 key=key-1z75pjzdm5ckse6i8083 mode=list]

The FCC is dealing with a lot concerning the new relationship between television and the internet, it seems as though this relationship has caused quite an uproar as many people are not quite sure of how to handle it. The F.C.C. bars the use of airwaves that were originally reserved for satellite-telephone transmissions because it says it will interfere with GPS technology. The airspace is currently being inhabited by the GPS devices, and thus far, there is no way to efficiently deal with potential interference. [NYTimes]

The problem we’re going to see more of in the near future is the regulation of space, airwaves and internet servie especially with everything becoming so intertwined with one another. Everyone is concerned with how to please the customers and give them what they want, but if we continue to see regulations, companies are going to be faced with problems.

Copyright 2009-2011 3DGuy.tv.All Rights Reserved.

According to TVNewsCheck.com, the NAB asked the FCC to “liberalize local media ownership limits and not to impose new restrictions on contractual arrangements under which stations in a market share resources or operate in tandem.”   The NAB argues that the FCC should allow common ownership of two TV stations in more markets, particularly because of the mergers that have occurred, and different distribution platforms. “The NAB contended that such arrangements should not be restricted. They “do not threaten licensee control over operations and programming decisions, which are the core principles underlying the FCC’s attribution policies,” it said. “In fact, sharing arrangements advance the FCC’s localism and diversity goals by facilitating the provision of local news and other programming.”

© 2012 DD&M Inc. All rights Reserved.

Verizon recently announced that it is going to sell portions of its spectrum in a number of major markets for its purchase of spectrum but there is a debate concerning whether or not the sale is a plot for approval of cable deals. People are assuming that they decided to sell portions of the spectrum because of issues with the Federal Communications Commission. This also brings light to the current question of whether or not there is actually a spectrum crisis. Verizon’s deals for spectrum “included joint marketing agreements with SpectrumCo (an entity owned by Comcast, Time Warner Cable and Bright House Networks), Cox and Leap Wireless.  Those deals are currently under review by the FCC and the Department of Justice and was the subject of a recent hearing before the Senate Antitrust Subcommittee. ” [AdWeek]

The FCC took a big step recently by shifting a large piece of the spectrum from TV broadcast to wireless broadband. “It unanimously approved rules allowing TV stations to share channels while retaining must-carry and other rights that come with owning a full channel.” The FCC made this decision with the hopes that weaker stations will be encouraged to double up on their channels, turn over their spectrum space to the FCC and participate in other “incentive” auctions. One of these auctions is the commission said it would recover up to 120 MHz or 40% of all TV spectrum. Interestingly enough, many broadcasters are not interested in giving up spectrum. [TVNewsCheck]

Things to keep an eye on in months to come is the spectrum scarcity crisis, does it exist and what are the FCC and other broadcast distributors and networks going to do about it, we’ll just have to wait and see.