Kings and Prophets: Post #2

With the Eater season upon us, ABC has chosen an ideal time to promote a biblical series around the holiday. Premiering on Tuesday March 8th, Kings and Prophets is the tale of King Saul and David from the Old Testament. ABC.com has made the Kings and Prophets page live with profiles of the new face cast, videos of behind the scenes, and public blog posts from an ABC writer. Critics are anxious to see the collation between this biblical series and biblical film Risen (premiering February 19th) and FOX’s live special Passion which is a musical that portrays a modern view of the Resurrection.

Critics are also concerned with the writing team for Kings and Prophets. Exodus: Gods and Kings (premiered in 2014) caused some negative reviews based on the “white-washing” of the cast portraying Egyptians and the Jewish slaves. Adam Cooper, who was a writer for the movie, is now the principle writer for Kings and Prophets. 

Second Chance Post #3

Screen Shot 2016-02-09 at 10.05.37 PM

With each passing week, it’s more and more clear that FOX’s “Second Chance” will more than likely not be getting one… The show dropped to a 0.6 rating pulling only 2.24 million viewers. A .1 decline from last week’s .7 rating in the demo.

Interestingly enough, the show has been getting paltry ratings but its social media following tells another story. On Facebook, Second Chance has 11,922 likes — not too bad, but then again a show like Empire has 3+ million. What’s interesting about the following Second Chance has is that the interaction their posts have is nearly universally positive. Especially on Facebook, I can’t recall the last time I’ve seen a page whose comments are universally positive. On almost everything they post there are a bevy of comments saying how great the show is and how disappointed viewers will be if the show gets cancelled. The engagement numbers aren’t high, but the engagement they do get is overwhelmingly positive.

ABC’s The Catch – Post #1

(image taken from DarkHorizons.com)

Shonda Rhimes has done it again! Premiering March 24th at 10pm on ABC, the new crime drama The Catch will be joining the #TGIT line up taking the place of Rhimes’ other hit show, How to Get Away With Murder. Alice Vaughn is a forensic accountant in LA who specializes in cases for high profiled frauds. But when her fiancé cons her out of millions and disappears weeks before their wedding, her new focus is finding him and regaining her funds. Unfortunately, its discovered that he was in a master con plan with another woman while still falling for his mark: Alice.

Alice is played by Mirielle Enos who is best known for her Emmy and Golden Globe nominated role in AMC’s hit drama The Killing. Another familiar face within the cast is Bethany Joy Lenz from CW’s One Tree Hill. According to ABC.com and Imbd.com, Peter Krause from NBC’s Parenthood would be playing Alice’s fiancé Kieran Booth but the show’s trailer depicts an up and coming actor named Damon Dayoub who played a reoccurring role in Freeform’s Stitchers.

Production for the show is taking place in LA at the ABC Studios and Shondaland. Rhimes is the executive producer but is also partnering with Betsy Beers. Beers has worked as a producer on Rhimes other ABC hit Grey’s Anatomy which will air before The Catch on #TGIT at 9pm.

Legends of Tomorrow – Post #1

Pilot-Part 1 

This past Thursday night, a new team of heroes joined the silver screen. DC’s Legends of Tomorrow premiered to 3.14 million viewers and joined fellow DC heroes of the Green Arrow and the Flash.

Superheroes on television is hardly a novel idea, but it appears as if the CW has gotten the formula down to a science. But there comes a time when there is too much superheroes in mass media. In a time where there is so much saturation when it comes to the caped crusaders, it becomes hard to stand out.

Legends of Tomorrow accomplishes that. With a new team of superheroes instead of a single hero destines to save his city, this team consists of both heroes and villains fighting in the past to save the future. Definitely an interesting concept, but it will be interesting to see what happens as this show progresses. With a history of superheroes on the CW, it should be easy for Legends to be competitive in this saturated market.

Regulation of Distribution

By: Chelsea DeCesare

History

948.AntiqueTelevision

Regulation in the cable industry refers to who has the rights to distribute broadcast station signals, and to whom. Regulation of cable distribution first came about in the 1940’s, when cable television system operators placed antennas in areas with good reception, picked up broadcast station signals, and then distributed them by coaxial cable to subscribers for a fee.[1]

Early Cable SatelliteToday, the distribution systems are far more complex. Consumers now have the option to decide when they want to view television content, and if they want to “binge view” through video on demand programs. With a variety of mediums available to take in content, it has become difficult for broadcasters to manage and regulate how and where materials are being viewed.

With the invention of the Digital Video Recorder or DVR as well as Video on Demand technology, both consumers and companies have the power to record and disseminate live television. For many cable and network providers, this budding technology has threatened vital advertising and subscription revenues.

The Evolution of the DVR

Tivo and ReplayTV

tivo_premiere In January 1999, TiVo unveiled it’s Personal Television Service at the National Consumers Electronics Show. After unveiling the first working prototype, and despite an estimated four to five months of work remaining to complete a real working product, the company shipped the first DVR on the planet on March 31, 1999. [2]

ReplayTV also premiered in 1999, and allowed viewers to record, rewind, and store cable and broadcast programs of the consumers choosing. [3]

Both TiVo and ReplayTV currently charge subscribers anywhere from $80 to $200 for their services. Additionally, the services act as a liaison between television signal providers and viewers. They interpret the signals from a provider and allow consumers to tell them what programs they want to record. [4]

As a result, there were no initial regulations placed on TiVo, as the content being recorded had to be obtained through a cable subscription.

Video on Demand

Television video on demand or VOD systems first came to prominence in the 2000’s. VOD’s either stream content through a set-top box, a computer, or smart device. With a VOD, viewers can either watch in real time on television, or download to an outside device for viewing at any time.

With the creation of internet VOD systems, companies looked to pen licensing agreements with media companies in order to provide viewers with a library of shows and movies that they could access at any time.

Netflix

lifestyle_1600_mockIn January of 2013, Netflix signed a multi-year licensing agreement with both Turner Broadcasting and Warner Brother’s Television Group.

The agreement includes episodes of shows from Cartoon Network, Warner Bros. Animation, Adult Swim, and TNT. The deal, which will only make content available to U.S. Netflix subscribers, went into effect on March 30, 2013. [5]

originalAdditionally, in December of 2012, Netflix and Disney reached a first time licensing agreement that allowed the streaming of back catalog classic Disney films including Dumbo, Pocahantas, and Alice in Wonderland.

The Disney deal stipulated that by 2016, all new theatrically released films in the pay TV window will be able to be watched instantly. This includes all films produced by Disney, Walt Disney Animation Studios, Disneynature, Pixar Animation Studios, and Marvel Studios. [6]

New and Controversial On Demand Systems

The Hopper

 

Aereo

Backlash

Dish Network vs. Network TV

In September of 2012, Fox, NBC Universal, and CBS filed a copyright infringement lawsuit against Dish Network. The lawsuit was in response to the release of new software called “The Hopper,” which allows subscribers of the satellite network to skip commercials during programs that have been previously recorded.

TWiBTV-7The broadcast networks asserted that new DVR technology is a violation of their copyrights and puts programming in danger by undermining advertisements which still make up a bulk of programming revenue.

In a court filing Dish Network said:

“This case is about freedom of consumer choice, individual families’ choice to elect, if they want, to time-shift their television viewing and watch recorded television without commercials.”

 

The Hopper system was officially released on May 10, 2012 and is only currently available to PrimeTime Anytime service customers.

dish-signWhile the lawsuit is being settled, Fox has refused to air any Dish Network commercials that feature the Hopper service. [7]

Aereo vs. Broadcast Networks

Last year, CBS Corporation, Comcast, News Corporation, and the Walt Disney Company filed two suits against Aereo, a start-up Internet service that streams stations without compensating them.

The lawsuits were first filed in March 2012, mere weeks before the service was set to premiere in New York. However, a district court judge denied the request for a preliminary injunction last summer. [8]

On April 1, 2013, a federal appeals court in New York upheld a ruling in favor of Aereo.

Aereo is able to stream broadcast stations by operating an array of tiny antennas that pick up over-the-air signals. Subscribers pay about $12 a month, and receive control over one antenna. Aereo basically turns the subscriber’s phone, computer or tablet into a small television set, but without the rabbit ears that would normally be needed. Subscribers can then select programming over the internet.[9]

An array of antennas in Brooklyn allow Aereo to avoid paying the retransmission fees that operators have traditionally paid for access to stations. Those fees are an increasingly important revenue source for the stations.

The Court of Appeals for the Second Circuit affirmed the lower court ruling on April 1,  in a 2-to-1 decision, saying that Aereo’s streams of TV shows to individual subscribers did not constitute “public performances,” and thus the broadcasters’ copyright infringement lawsuits “are not likely to prevail on the merits.” [10]

The Future

Looking ahead, Aereo’s win in court may make other companies more comfortable in joining the service. Some prospective partners include cable channels that want carriage (Bloomberg TV signed the first such deal with Aereo last year) and wireless providers. And the mere existence of the service may cause the broadcasters to speed up their own plans for streaming programming to phones and tablets.

Analysts suggest that some cable and satellite providers, such as those that pay billions of dollars in retransmission fees for the right to carry broadcasters’ signals, might start to mimic Aereo’s system to get around the fee requirements. Others predicted that the broadcasters might lobby Congress to change the law. [11]

The outcome of this case will undoubtedly influence the way future systems do business in the future. In the meantime, all we can do it wait, and watch for the next big thing to enter the market and revolutionize the business yet again.

Sources:

1. FCC Encyclopedia: “Evolution of Cable Television”                                    http://www.fcc.gov/encyclopedia/evolution-cable-television

2. Tivo: History                                                                                          http://www.tivo.com/jobs/questions/history-of-tivo/index.html

3. ReplayTV: History                                                              http://www.replaytvupgrade.com/replaytvcompanyhistory.htm

4. Tivo Updated Payment Plans March 2013                                             http://www.tivo.com/abouttivo/policies/tivoservicepaymentplanstermsandconditions.html

5. CNN Money: “Netflix Scores Cartoon Network Adult Swim and More Time Warner Content.”                                                                                               http://money.cnn.com/2013/01/14/technology/netflix-time-warner/index.html

6. Bloomberg Online: “Disney’s Netflix Deal Gives Top Billing to Online Movies.” http://www.bloomberg.com/news/2012-12-05/disney-s-netflix-deal-gives-top-billing-to-online-movies.html

7. CNN Money: “Broadcasters Sue Dish Over Ad-Skipping DVR.”         http://money.cnn.com/2012/05/25/technology/dish-auto-hop-lawsuit/index.htm

8. Newser Online: “Divided NY Federal Appeals Court Rejects Lawsuit, Giving Green Light to Aereo Live TV Service.”                                                                   http://www.newser.com/article/da5cvfj81/divided-ny-federal-appeals-court-rejects-lawsuit-giving-green-light-to-aereo-live-tv-service.html#continuedBelow

9. A New Domain Blog: “Aereo: How It Works and How It’s Working So Far.” http://anewdomain.net/2012/04/06/aereo-has-launched-lets-hope-they-are-for-real/

10. The Wall Street Journal: “Court Denies Broadcasters’ Motion to Shut Down Aereo.”                                                                                                   http://online.wsj.com/article/SB10001424127887323296504578396543358747194.html

11. Bloomberg Online: “Diller-Backed Aereo Beats Network Bid to Close TV Service.”                                                                                   http://www.bloomberg.com/news/2013-04-01/diller-backed-aereo-beats-network-bid-to-close-tv-service.html