Viacom

by  JACKIE PERRELLI
Earns Viacom

Viacom Logo [1]

Company 

Viacom is an entertainment powerhouse responsible for connecting with audiences through a variety of platforms.  With approximately 700 million global subscribers [2], Viacom distributes their content across television, and more importantly, online. Lately, Viacom has been focused on restructuring the company and finding new ways to reach audiences.  With his recent two-year contract extension, Philippe Dauman, [3] both CEO and President, is believed to be the right man in charge to handle the Viacom reboot.

Dauman’s leadership is especially important in a time when Sumner Redstone, founder of Viacom, is in questionable health.  Redstone was not able to attend the last shareholder meeting held in early March [4]. The company is prepared; however, for a post-Sumner world.  A board of trustees is in place consisting of current CEOs and family members, ready to protect the Viacom empire. It has even been rumored that Viacom will merge with another media conglomerate, but told not during Redstone’s reign [5].

Background

viacom-networks

Viacom TV Channels [23]

MTV, VH1, CMT, Logo, BET, Nickelodeon, Comedy Central, and TV Land are a few channels inclusive to the Viacom brand. In 1987 Redstone, controlling shareholder, bought the company for $3.4 billion dollars [6]. Today, Viacom’s share price is 69.77 [7]. This number is the result of a 14 percent decline last year and already another 8.8 percent downfall in 2015 [8]. Within the past 52 week period the Viacom share price has been as high as 89.76 [7]. One source of the drop in stock price can be attributed to poor ratings.

Screen Shot 2015-04-14 at 4.03.48 PM

Stock Price [9]

Screen Shot 2015-04-14 at 10.51.23 PM

Viacom Ratings [11]

Viacom pinpoints Nielsen ratings and their inability to calculate views from online sources [10].  Due to the fact that most traditional viewers are switching to some sort of online viewing, ratings from online sources are imperative to Viacom.  Since last year, most Viacom channels have declined greatly and are down 30 percent ratings wise [11].  For this reason and many more is why Viacom is in the middle of a reconstruction period.

 Online Content

Noggin is a new mobile subscription service for preschoolers.

Noggin Streaming Service [13]

With the goal of staying relevant in a world that skews online, Viacom created a streaming service outside their traditional cable package.  This streaming service, Noggin, is through Nickelodeon and aimed at a younger demographic.  Due to an 18 percent tumble in audience viewership last quarter, Viacom introduced the service in order to compete with other companies.  However, known for their television bundle, Viacom has to be careful not to turn viewers completely online, resulting in subscription cancellation. The livelihood of other channels like VH1, MTV, and TV Land, are at risk if viewers abandon their subscriptions [12].  Viacom is already in risky territory with Suddenlink, the seventh-largest cable operator in the U.S, having recently discontinued their services with Viacom [14].

imgres

Viacom VS Suddenlink [22]

Not wanting to pay significant increases for channels, Suddenlink got rid of the bundle completely.  Although Suddenlink lost significant viewers from the Viacom split, 99.7 percent of their customers continued to pay for Internet services [14].  At a time with such a strong online presence,  Viacom fears that other cable companies could follow in Suddenlink’s footsteps and drop the channel lineup; resulting in solely online streaming.  In preparation for the future of television, Viacom has planned to reorganize their company.  This has resulted in the favoring of employees with technical capabilities rather than traditional workers as content continues to move online [12].

Viacom Restructuring

Along with a changing platform for providing content, Viacom is experiencing changes throughout the entire company.  Most of the changes occurring in the company today stem from both low ratings and advertisement sales. To ameliorate the ad sales, Viacom is going into upfront season with a new strategy to boost advertisers participation within the network.  With the Nielsen ratings not sustaining the amount of klout they once had, Viacom has chosen to guarantee success for the advertiser’s ads by broadcasting to very niche audiences [15].   

[16] 

That in mind, the company outlined a plan that would restructure the Viacom brand moving forward.  This business plan included the layoff of 400 jobs across the company ranging from New York to Los Angeles, and encompassing some highly ranked positions.  With the elimination of some jobs and cancellation of underperforming shows, Viacom aims to save $350 million dollars annually once the restructuring is complete.  But before this can happen, Viacom put a halt on their share buyback program, which aims to shrink the number of outstanding shares, and recorded a $785 million in pre-tax charge for the compensation of laid off workers, abandonment of ineffective programming, and declining ratings due to online competition [17].

To learn more about the Viacom reboot period and which shows are getting cut from the Viacom lineup: click here [18].

Another part of the Viacom restructure deals with the consolidation from three television network groups into two.  The first group includes: Comedy Central, MTV, Spike, Logo, and VH1, while TV Land and CMT are now placed with Nickelodeon.  The first group will focus towards general content, while the second network group will have a more family-entertainment aspect to it [19]. The Viacom reboot has a significant focus on a shift from traditional TV to more digital content, having a more niche staff, and investing in areas that progress Viacom as a company.

New Audiences

funny_or_die_4

Funny or Die Logo [20]

As Viacom attempts to save money and explore new options, the company has two audience-building transactions in the works.  The first transaction deals with the acquisition of three comedy websites.  The Onion, Funny or Die, and CollegeHumor, give Viacom more ways to tap into digital and online audiences. [12]

P1-BS524_VIACOM_16U_20150119182705

International Revenue [21]

The second transaction involves new audiences and opportunities for Viacom in India.  With a very saturated, highly online, U.S. market, Viacom is looking to places overseas worth investing in. While U.S. viewers tend to get most of their content in ways other than the traditional TV, India offers more pay-for-tv customers.  Viacom already owns Channel18 in India and is now vying for five more local entertainment channels.  The company sees India as a place to invest with over 250 million households with pay-TV service and subscriptions. A benefit of investing in areas overseas are the low-budget production costs and the ability to expand Viacom’s American channels to new countries.  Foreign markets allow Viacom to tap into potential audiences outside The United States [21].  India is a popular market not only for Viacom, but also other television companies that are beginning to see the potential in investing overseas.

Overview

It is apparent that many changes are taking place at Viacom, and will continue to take place until the company feels ready and back on its feet.  The reorganization of the company, streaming service, and plans for the future are all positive ways in which Viacom can grow and prosper.

Sources

[1]  Stempel, Jonathan (March 12 2015). Viacom Agrees To $7.21 Million Settlement To End Interns Wage LawsuitHuffington Post. Retrieved: April 9 2015.

[2] About ViacomViacom. Retrieved: April 9 2015.

[3] Hagey, Keach and Stynes, Tess (January 15 2015). Viacom Extends CEO’s Contract by Two Years.  The Wall Street Journal. Retrieved: April 2 2015.

[4] Szalai, George (March 12 2015). Sumner Redstone to Miss Viacom Shareholder MeetingThe Hollywood Reporter. Retrieved: April 2 2015.

[5] Atkinson, Claire (March 14 2015).  Post-Sumner CBS-Viacom power a mixed bagNew York Post. Retrieved: April 9 2015.

[6] The Autumn of SumnerThe Economist. Retrieved: April 9 2015.

[7] Viacom Stock PriceGoogle Finance. Retrieved: April 10 2015.

[8] Sakoui, Anousha (April 6 2015). Viacom Halts Buybacks, Sees $785 Million Restructuring CostsBloomberg Business. Retrieved: April 9 2015.

[9] Viacom Stock PriceYahoo Finance. Retrieved: April 9 2015.

[10] Hagey, Keach and Ramachandran, Shalini (February 11 2015). The Picture Gets Fuzzy at Viacom.  The Wall Street Journal.  Retrieved: April 9 2015.

[11] Layoffs, restructuring leads to chaos at ViacomFox Business. Retrieved: April 14 2015.

[12] Steel, Emily (January 29 2015). Nickelodeon to Offer a Streaming Service as Viacom Steps Up Digital EffortsThe New York Times.  Retrieved: April 9 2015.

[13] Perez, Sarah (February 25 2015). Nickelodeon Unveils “Noggin,” A Mobile Subscription Service For Preschoolers Arriving In March. Tech Crunch. Retrieved: April 13 2015.

[14] Steel, Emily (March 8 2015). Provider’s Dispute With Viacom Highlights Skirmish Over the Cable Bundle. New York Times.  Retrieved: April 6 2015.

[15] Steinberg, Brian (April 13 2015). Time Warner, Viacom Back Away From Nielsen Guarantees For Ads. Variety. Retrieved: April 15 2015.

[16] Ryssdal, Kai (April 14 2015). Make more upfront: Viacom, Turner discuss new ad modelMarketplace. Retrieved: April 14 2015.

[17] Gottfried, Miriam (April 7 2015). Viacom: Buyback Step Back Isn’t a Setback. The Wall Street Journal.  Retrieved: April 9 2015.

[18] Viacom faces behemoth $785M charge. Youtube. Retrieved: April 15 2015.

[19] Viacom restructures to take $785 mn charge, brings TV networks into two unitsTelevision Post. Retrieved April 10 2015.

[20] Hunsucker, Andy (November 10 2011). A Place For Film Interviews – Funny Or Die ProducersIndiana Public Media. Retrieved: April 14 2015.

[21] Sharma, Amol (January 19 2015). Why Viacom Is Looking to India for a New TV AudienceThe Wall Street Journal. Retrieved: April 9 2015.

[22] Goff, Andrew (October 2 2014). Ack! The Suddenlink vs. Viacom War Now Hurting Humboldt’s Ability to Watch the Daily Show Online. Lost Coast Outpost. Retrieved: April 13 2015.

[23] Dampier, Phillip (April 1 2015).  Viacom Demands 100% Rate Increases for Hundreds of Small Cable Systems, Military Bases. Stop the Cap!  Retrieved: April 13 2015.

DreamWorks Studios

by Alex Westfall
-Courtesy of wholemovieinfo.com

Courtesy of wholemovieinfo.com (a)

DreamWorks Studios
100 Universal City Plaza Dr., Bldg. 5121
Universal City, CA 91608
P: (818) 733-9300
http://www.dreamworksstudios.com/


Key Executives

-Steven Spielberg, Principle Partner (b)

Steven Spielberg, Principle Partner (b)

Michael Wright, CEO (c)

Michael Wright, Chief Executive Officer (c)

Lyndsay Harding, CFO (d)

Lyndsay Harding, Chief Financial Officer (d)

-Jeff Small, President & COO (e)

Jeff Small, President & Chief Operating Officer (e)


Company Overview

DreamWorks Studios is an American film company originally founded in 1994 by partners Steven Spielberg, Jeffrey Katzenberg, and David Geffen. In its early years, the studio worked with several different film companies such as Universal, Sony, and 20th Century Fox. These collaborations saw much success by cranking out multiple critically acclaimed films such as the Academy Award winning American Beauty, Gladiator, and A Beautiful Mind. In 2005, Viacom, the parent company of Paramount Pictures, purchased DreamWorks for $1.6 billion. However, in 2008, DreamWorks decided it would end its deal with Paramount and signed on to a partnership with Indian investment firm Reliance ADA Group to produce its films. In addition to working with Reliance, DreamWorks also maintains a deal with the Walt Disney Company, who markets and distributes its films. [1] [2]


Financials

Because DreamWorks Studios is a private company, specific financial information is not exactly attainable. However, by analyzing the budgets and revenue from the studio’s recent films, one can have a good idea about how the company is doing. At the time of it’s deal with Reliance, it was a known fact that DreamWorks had quite the amount of debt, and the $600 million invested by the firm arguably saved the film company from going under. With the creation of it’s subsequent movies, DreamWorks was once again beginning to see success. In 2014, the studio released two films- Need for Speed and the One Hundred Foot Journey.

With a budget of $66 million, Need for Speed ended up bringing in $203.3 million in revenue- thanks to it being highly popular in foreign markets such as China and Russia. Clearly by making back more than three times it’s budget, the movie can be hailed as a

Need for Speed movie poster, courtesy of wikipedia.org

“Need for Speed” movie poster, courtesy of industrialcolor.com (f)

financial success for the studio. Despite garnering negative reviews, Need for Speed most likely drew all of its audience due to the internationally popular video game it was based off of. The movie’s action packed plot and showcase of fast cars was definitely aimed at a male audience ranging from 15-35, which is the exact demographic that plays the video game around the world. Seeing as the game has this existing wide audience, it makes sense that they flocked to see the film and brought in so much revenue.

Sticking with the trend, the One Hundred Foot Journey made a total of $88.8 million- which is

Hundred Foot Journey poster, courtesy of imdb.com (h)

“The Hundred Foot Journey” poster, courtesy of imdb.com (g)

four times it’s budget of $22 million. This success was most likely garnered by the film’s feel-good plot that is about something everyone can relate to- food. Additionally, it was produced by Oprah Winfrey and her company Harpo Productions. Seeing as Winfrey is so popular already (especially with women ages 25-64), she was probably able to draw in an even larger audience for the film by promoting it on her show, television network, etc.

Financially successful films such as these two are what has helped DreamWorks Studios escape from it’s initial early 2010s box office blunders such as Cowboys & Aliens and Fright Night– which just barely made back their budgets. [3] [4] [5] [6]



What’s Happening Now

As of Fall 2014, DreamWorks Studios has seen some huge changes with studio management and personnel. After seven years of acting as Chief Executive Officer and

Michael Wright, courtesy of online.wsj.com (g)
Michael Wright, courtesy of online.wsj.com (h)

Co-Principal Partner to Steven Spielberg, Stacey Snider left the company and was replaced by Michael Wright. Wright, who was formerly Head of Programming for TNT,TBS, and TCM, will begin his position as the new CEO starting on January 1st, 2015. He will report directly to Spielberg and will be in charge of all the creative aspects for the film side of the business. Although some are a bit weary that Wright’s television background will not translate well to the motion picture industry, Spielberg himself believes quite the contrary:

“He has a keen understanding of storytelling and how to deliver those stories in every shape and size, regardless of platform. I am delighted to welcome him.”

One thing is for sure, Wright’s background with edgier shows for TNT such as Major Crimes and the Last Ship is a likely indicator of what is in store for DreamWorks: more thrilling and grittier, adult-type content. Hopefully this new type of material will prove to even further revive the studio and bring in even more revenue.

Along with Wright, DreamWorks has also hired a new CFO- Lyndsay Harding from Evergreen Studios. Prior to working in the media and entertainment industry, Harding worked on Wall Street dealing with mergers and acquisitions for Goldman Sachs, and then in private equity for JPMorgan Chase. Her high business acumen will surely prove useful to the studio, as she will be able to tighten up budgets and continue decreasing debt. [7] [8]


For the Future

Within the next two years, DreamWorks is only planning on releasing two films: St. James Place and the BFG. Both films are currently in the early stages of production and are slated for releases in October 2015 and July 2016, respectively.

Hanks and Spielberg on set of St. James Place

Hanks and Spielberg on set of St. James Place, courtesy of brooklyndaily.com (i)

St. James Place will be directed by Spielberg with a screenplay written by Matt Charman- revised by the famed Joel and Ethan Coen. It is a cold war era spy thriller, based on the 1960 U-2 Incident, and will star Tom Hanks, Amy Ryan, and Alan Alda. Based on this lineup, the film appears as though it will do well, seeing as the brands that are often attached to Spielberg, the Coen brothers, and Tom Hanks are positive and successful. The sole fact that their names are headlining will be enough to draw in a large audience of adults 17-60, even if the movie itself turns out to be sub-par.

In addition to St. James Place, DreamWorks is also working on the BFG, a film that will

The BFG novel, courtesy of barnesandnoble.com (j)

The BFG novel, courtesy of barnesandnoble.com (j)

be based on the popular children’s book of the same name by Roald Dahl. The story follows a young girl and a friendly giant who go on a journey to vanquish evil giants who are threatening the human world. As of October, Mark Rylance, a three time Tony Award winner, has been cast to play the titular character. Because the book and its author are already so popular, the film will be sure to draw in mass audiences of children and their families. Its summer release is also a prime time, seeing as children will be out of school and more able to see the film in theaters. [9] [10] [11] [12]

Sources

[1] DreamWorks Studios – History, dreamworksstudios.com, RT: 11/29/14

[2] DreamWorks Studios – FAQ, dreamworksstudios.com, RT: 11/29/14

[3] Reliance Big in Talks with Spielberg’s DreamWorks, business-standard.com, RT: 11/29/14

[4] Box Office Mojo- Need for Speed, boxofficemojo.com, RT: 11/29/14

[5] Videogame ‘Need for Speed’ to be Turned into ‘Fast & Furious’-Style Franchise, indiewire.com, RT: 11/29/14

[6] Box Office Mojo- One Hundred Foot Journey, boxofficemojo.com, RT: 11/29/14

[7] Michael Wright to Replace Stacey Snider at DreamWorks as CEO, variety.com, RT: 11/29/14

[8] DreamWorks Taps Lyndsay Harding as CFO, variety.com, RT: 11/29/14

[9] Four Cast in Steven Spielberg’s Untitled Cold War Spy Thriller, dreamworksstudios.com, RT: 11/29/14

[10] Novice Screenwriter on Selling His First Script to Steven Spielberg, hollywoodreporter.com, RT: 11/29/14

[11] Steven Spielberg’s The BFG to be Released in 2016, telegraph.co.uk, RT: 11/29/14

[12] Mark Rylance Starring as ‘The BFG’ for Steve Spielberg, variety.com, RT: 11/29/14

Multimedia Sources

(a) DreamWorks Studios Logo, wholemovieinfo.com, RT: 11/29/14

(b) Steven Spielberg Photo & Info, dreamworksstudios.com, RT: 11/29/14

(c) Michael Wright Photo & Info, dreamworksstudios.com, RT: 11/29/14

(d) Lyndsey Harding Photo & Info, dreamworksstudios.com, RT: 11/2914

(e) Jeff Small Photo & Info, dreamworksstudios.com, RT: 11/29/14

(f) Need for Speed movie poster, industrialcolor.com, RT: 11/29/14

(g) the Hundred Foot Journey movie poster, imdb.com, RT: 11/29/14
(h) Michael Wright, wsj.com, RT: 11/29/14
(i) St. James Set, brooklyndaily.com, RT: 11/29/14

(j) the BFGbarnesandnoble.com, RT: 11/29/14